The Marvelous
                                Land of Oz

                         Being an account of the
                        further adventures of the

                                Scarecrow
                             and Tin Woodman

 
                         and also the strange ex-
                       periences of the highly mag-
                     nified Woggle-Bug, Jack Pumpkin-
                      head, the Animated Saw-Horse
                              and the Gump;
                             the story being

                      A Sequel to The Wizard of Oz

                                   By

                             L. Frank Baum

Author of Father Goose-His Book; The Wizard of Oz; The Magical Monarch
    of Mo; The Enchanted Isle of Yew; The Life and Adventures of
            Santa Claus; Dot and Tot of Merryland etc. etc.

                              PICTURED BY

                              John R. Neil

                            BOOKS OF WONDER
                    WILLIAM MORROW & COMPANY, INC.
                              NEW YORK



                          Copyright 1904

                                by

                          L. Frank Baum

                       All rights reserved

                      Published, July, 1904





                         Author's Note

AFTER the publication of "The Wonderful Wizard of OZ" I began to receive
letters from children, telling me of their pleasure in reading the story and
asking me to "write something more" about the Scarecrow and the Tin Woodman.
At first I considered these little letters, frank and earnest though they
were, in the light of pretty compliments; but the letters continued to come
during succeeding months, and even years.

Finally I promised one little girl, who made a long journey to see me and
prefer her request, -- and she is a "Dorothy," by the way -- that when a
thousand little girls had written me a thousand little letters asking for
the Scarecrow and the Tin Woodman I would write the book, Either little
Dorothy was a fairy in disguise, and waved her magic wand, or the success of
the stage production of "The Wizard of OZ" made new friends for the story,
For the thousand letters reached their destination long since -- and many
more followed them.

And now, although pleading guilty to long delay, I have kept my promise in
this book.

L. FRANK BAUM.

Chicago, June, 1904



                        To those excellent
                          good fellows
                              and
                           comedians
                            David C.
                           Montgomery
                              and
                         Frank A. Stone
                          whose clever
                        personations of
                              the
                          Tin Woodman
                            and the
                           Scarecrow
                        have delighted
                         thousands of
                           children
                     throughout the land,
                        this book is
                    gratefully dedicated
                              by
                          THE AUTHOR



     LIST OF CHAPTERS
                                                        PAGE
Tip Manufactures Pumpkinhead                              7

The Marvelous Powder of Life                             15

The Flight of the Fugitives                              29

Tip Makes an Experiment in Magic                         39

The Awakening of the Saw-horse                           47

Jack Pumpkinhead's Ride to the Emerald City              59

His Majesty the Scarecrow                                71

Gen. Jinjur's Army of Revolt                             83

The Scarecrow Plans an escape                            97

The Journey to the Tin Woodman                          109

A Nickel-Plated Emperor                                 121

Mr. H. M. Woggle-Bug, T. E.                             135

A Highly Magnified History                              147

Old Mombi indulges in Witchcraft                        159

The Prisoners of the Queen                              169

The Scarecrow Takes Time to Think                       181

The Astonishing Flight of the Gump                      191

In the Jackdaw's Nest                                   201

Dr. Nikidik's Famous Wishing Pills                      219

The Scarecrow Appeals to Glenda the Good                231

The Tin-Woodman Plucks a Rose                           247

The Transformation of Old Mombi                         257

Princess Ozma of Oz                                     265

The Riches of Content                                   279



7                    Tip Manufactures a Pumpkinhead


In the Country of the Gillikins, which is at the North of the Land of Oz,
lived a youth called Tip. There was more to his name than that, for old
Mombi often declared that his whole name was Tippetarius; but no one was
expected to say such a long word when "Tip" would do just as well.

This boy remembered nothing of his parents, for he had been brought when
quite young to be reared by the old woman known as Mombi, whose reputation,
I am sorry to say, was none of the best. For the Gillikin people had reason
to suspect her of indulging in magical arts, and therefore hesitated to
associate with her.

Mombi was not exactly a Witch, because the Good Witch who ruled that part of
the Land of Oz



8                    Line-Art Drawing

had forbidden any other Witch to exist in her dominions. So Tip's guardian,
however much she might aspire to working magic, realized it was unlawful to
be more than a Sorceress, or at most a Wizardess.

Tip was made to carry wood from the forest, that the old woman might boil
her pot. He also worked in the corn-fields, hoeing and husking; and he fed
the pigs and milked the four-horned cow that was Mombi's especial pride.

But you must not suppose he worked all the time, for he felt that would be
bad for him. When sent to the forest Tip often climbed trees for birds' eggs
or amused himself chasing the fleet white rabbits or fishing in the brooks
with bent pins. Then he would hastily gather his armful of wood and carry it
home. And when he was supposed to be working in the corn-fields, and the
tall stalks hid him from Mombi's view, Tip would often dig in the gopher
holes, or if the mood seized him --



9
lie upon his back between the rows of corn and take a nap. So, by taking
care not to exhaust his strength, he grew as strong and rugged as a boy may
be.

Mombi's curious magic often frightened her neighbors, and they treated her
shyly, yet respectfully, because of her weird powers. But Tip frankly hated
her, and took no pains to hide his feelings. Indeed, he sometimes showed
less respect for the old woman than he should have done, considering she was
his guardian.

There were pumpkins in Mombi's corn-fields, lying golden red among the rows
of green stalks; and these had been planted and carefully tended that the
four-horned cow might eat of them in the winter time. But one day, after the
corn had all been cut and stacked, and Tip was carrying the pumpkins to the
stable, he took a notion to make a "Jack Lantern" and try to give the old
woman a fright with it.

So he selected a fine, big pumpkin -- one with a lustrous, orange-red color
-- and began carving it. With the point of his knife he made two round eyes,
a three-cornered nose, and

               Line-Art Drawing



10
a mouth shaped like a new moon. The face, when completed, could not have
been considered strictly beautiful; but it wore a smile so big and broad,
and was so Jolly in expression, that even Tip laughed as he looked
admiringly at his work.

The child had no playmates, so he did not know that boys often dig out the
inside of a "pumpkin-jack," and in the space thus made put a lighted candle
to render the face more startling; but he conceived an idea of his own that
promised to be quite as effective. He decided to manufacture the form of a
man, who would wear this pumpkin head, and to stand it in a place where old
Mombi would meet it face to face.

"And then," said Tip to himself, with a laugh, "she'll squeal louder than
the brown pig does when I pull her tail, and shiver with fright worse than I
did last year when I had the ague!"

He had plenty of time to accomplish this task, for Mombi had gone to a
village -- to buy groceries, she said -- and it was a journey of at least
two days.

So he took his axe to the forest, and selected some stout, straight
saplings, which he cut down and trimmed of all their twigs and leaves. From
these he would make the arms, and legs, and feet of his man. For the body he
stripped a sheet of thick



11
bark from around a big tree, and with much labor fashioned it into a
cylinder of about the right size, pinning the edges together with wooden
pegs. Then, whistling happily as he worked, he carefully jointed the limbs
and fastened them to the body with pegs whittled into shape with his knife.

By the time this feat had been accomplished it began to grow dark, and Tip
remembered he must milk the cow and feed the pigs. So he picked up his
wooden man and carried it back to the house with him.

During the evening, by the light of the fire in the kitchen, Tip carefully
rounded all the edges of the joints and smoothed the rough places in a neat
and workmanlike manner. Then he stood the figure up against the wall and
admired it. It seemed remarkably tall, even for a full-grown man; but that
was a good point in a small boy's eyes, and Tip did not object at all to the
size of his creation.

Next morning, when he looked at his work again, Tip saw he had forgotten to
give the dummy a neck, by means of which he might fasten the pumpkinhead to
the body. So he went again to the forest, which was not far away, and
chopped from a tree several pieces of wood with which to complete his work.
When he returned he fastened a cross-piece



12
to the upper end of the body, making a hole through the center to hold
upright the neck. The bit of wood which formed this neck was also sharpened
at the upper end, and when all was ready Tip put on the pumpkin head,
pressing it well down onto the neck, and found that it fitted very well. The
head could be turned to one side or the other, as he pleased, and the hinges
of the arms and legs allowed him to place the dummy in any position he
desired.

"Now, that," declared Tip, proudly, "is really a very fine man, and it
ought to frighten several screeches out of old Mombi! But it would be much
more lifelike if it were properly dressed."

To find clothing seemed no easy task; but Tip boldly ransacked the great
chest in which Mombi kept all her keepsakes and treasures, and at the very
bottom he discovered some purple trousers, a red shirt and a pink vest which
was dotted with white spots. These he carried away to his man and succeeded,
although the garments did not fit very well, in dressing the creature in a
jaunty fashion. Some knit stockings belonging to Mombi and a much worn pair
of his own shoes completed the man's apparel, and Tip was so delighted that
he danced up and down and laughed aloud in boyish ecstacy.



13

"I must give him a name!" he cried. "So good a man as this must surely have
a name. I believe," he added, after a moment's thought, "I will name the
fellow 'Jack Pumpkinhead!'"

               Line-Art Drawing



14               Full page line-art drawing.



15               The Marvelous Powder of Life


After considering the matter carefully, Tip decided that the best place to
locate Jack would be at the bend in the road, a little way from the house.
So he started to carry his man there, but found him heavy and rather awkward
to handle. After dragging the creature a short distance Tip stood him on his
feet, and by first bending the joints of one leg, and then those of the
other, at the same time pushing from behind, the boy managed to induce Jack
to walk to the bend in the road. It was not accomplished without a few
tumbles, and Tip really worked harder than he ever had in the fields or



16
forest; but a love of mischief urged him on, and it pleased him to test the
cleverness of his workmanship.

"Jack's all right, and works fine!" he said to himself, panting with the
unusual exertion. But just then he discovered the man's left arm had fallen
off in the journey so he went back to find it, and afterward, by whittling a
new and stouter pin for the shoulder-joint, he repaired the injury so
successfully that the arm was stronger than before. Tip also noticed that
Jack's pumpkin head had twisted around until it faced his back; but this was
easily remedied. When, at last, the man was set up facing the turn in the
path where old Mombi was to appear, he looked natural enough to be a fair
imitation of a Gillikin farmer, -- and unnatural enough to startle anyone
that came on him unawares.

As it was yet too early in the day to expect the old woman to return home,
Tip went down into the valley below the farm-house and began to gather nuts
from the trees that grew there.

However, old Mombi returned earlier than usual. She had met a crooked
wizard who resided in a lonely cave in the mountains, and had traded
several important secrets of magic with him. Hav-



17
ing in this way secured three new recipes, four magical powders and a
selection of herbs of wonderful power and potency, she hobbled home as fast
as she could, in order to test her new sorceries.

So intent was Mombi on the treasures she had gained that when she turned the
bend in the road and caught a glimpse of the man, she merely nodded and
said:

"Good evening, sir."

But, a moment after, noting that the person did not move or reply, she cast
a shrewd glance into his face and discovered his pumpkin head elaborately
carved by Tip's jack-knife.

"Heh!" ejaculated Mombi, giving a sort of grunt; "that rascally boy has
been playing tricks again! Very good! ve -- ry good! I'll beat him black-
and-blue for trying to scare me in this fashion!"

Angrily she raised her stick to smash in the grinning pumpkin head of the
dummy; but a sudden thought made her pause, the uplifted stick left
motionless in the air.

"Why, here is a good chance to try my new powder!" said she, eagerly. "And
then I can tell whether that crooked wizard has fairly traded secrets, or
whether he has fooled me as wickedly as I fooled him."



18

So she set down her basket and began fumbling in it for one of the precious
powders she had obtained.

While Mombi was thus occupied Tip strolled back, with his pockets full of
nuts, and discovered the old woman standing beside his man and apparently
not the least bit frightened by it.

At first he was generally disappointed; but the next moment he became
curious to know what Mombi was going to do. So he hid behind a hedge, where
he could see without being seen, and prepared to watch.

After some search the woman drew from her basket an old pepper-box, upon the
faded label of which the wizard had written with a lead-pencil:

"Powder of Life."

"Ah -- here it is!" she cried, joyfully. "And now let us see if it is
potent. The stingy wizard didn't give me much of it, but I guess there's
enough for two or three doses."

Tip was much surprised when he overheard this speech. Then he saw old Mombi
raise her arm and sprinkle the powder from the box over the pumpkin head of
his man Jack. She did this in the same way one would pepper a baked potato,
and the powder sifted down from Jack's head and scattered



19               Full page line-art drawing.

               "OLD MOMBI DANCED AROUND HIM"



20
over the red shirt and pink waistcoat and purple trousers Tip had dressed
him in, and a portion even fell upon the patched and worn shoes.

Then, putting the pepper-box back into the basket, Mombi lifted her left
hand, with its little finger pointed upward, and said:

"Weaugh!"

Then she lifted her right hand, with the thumb pointed upward, and said:

"Teaugh!"

Then she lifted both hands, with all the fingers and thumbs spread out, and
cried:

"Peaugh!"

Jack Pumpkinhead stepped back a pace, at this, and said in a reproachful
voice:

"Don't yell like that! Do you think I'm deaf?"

Old Mombi danced around him, frantic with delight.

"He lives!" she screamed: "He lives! he lives!"

Then she threw her stick into the air and caught it as it came down; and she
hugged herself with both arms, and tried to do a step of a jig; and all the
time she repeated, rapturously:

"He lives! -- he lives! -- he lives!"

Now you may well suppose that Tip observed all this with amazement.



21

At first he was so frightened and horrified that he wanted to run away, but
his legs trembled and shook so badly that he couldn't. Then it struck him as
a very funny thing for Jack to come to life, especially as the expression on
his pumpkin face was so droll and comical it excited laughter on the
instant. So, recovering from his first fear, Tip began to laugh; and the
merry peals reached old Mombi's ears and made her hobble quickly to the
hedge, where she seized Tip's collar and dragged him back to where she had
left her basket and the pumpkinheaded man.

"You naughty, sneaking, wicked boy!" she exclaimed, furiously:" I'll teach
you to spy out my secrets and to make fun of me!"

"I wasn't making fun of you," protested Tip. "I was laughing at old
Pumpkinhead! Look at him! Isn't he a picture, though?"

"I hope you are not reflecting on my personal appearance," said Jack; and it
was so funny to hear his grave voice, while his face continued to wear its
jolly smile, that Tip again burst into a peal of laughter.

Even Mombi was not without a curious interest in the man her magic had
brought to life; for, after staring at him intently, she presently asked:



22               Full page line-art drawing.

               OLD MOMBI PUTS JACK IN THE STABLE



23

"What do you know?"

"Well, that is hard to tell," replied Jack. "For although I feel that I
know a tremendous lot, I am not yet aware how much there is in the world to
find out about. It will take me a little time to discover whether I am very
wise or very foolish."

"To be sure," said Mombi, thoughtfully.

"But what are you going to do with him, now he is alive?" asked Tip,
wondering.

"I must think it over," answered Mombi. "But we must get home at once, for
it is growing dark. Help the Pumpkinhead to walk."

"Never mind me," said Jack; "I can walk as well as you can. Haven't I got
legs and feet, and aren't they jointed?"

"Are they?" asked the woman, turning to Tip.

"Of course they are; I made 'em myself," returned the boy, with pride.

So they started for the house, but when they reached the farm yard old
Mombi led the pumpkin man to the cow stable and shut him up in an empty
stall, fastening the door securely on the outside.

"I've got to attend to you, first," she said, nodding her head at Tip.

Hearing this, the boy became uneasy; for he



24
knew Mombi had a bad and revengeful heart, and would not hesitate to do any
evil thing.

They entered the house. It was a round, domeshaped structure, as are nearly
all the farm houses in the Land of Oz.

Mombi bade the boy light a candle, while she put her basket in a cupboard
and hung her cloak on a peg. Tip obeyed quickly, for he was afraid of her.

After the candle had been lighted Mombi ordered him to build a fire in the
hearth, and while Tip was thus engaged the old woman ate her supper. When
the flames began to crackle the boy came to her and asked a share of the
bread and cheese; but Mombi refused him.

"I'm hungry!" said Tip, in a sulky tone.

"You won't be hungry long," replied Mombi, with a grim look.

The boy didn't like this speech, for it sounded like a threat; but he
happened to remember he had nuts in his pocket, so he cracked some of those
and ate them while the woman rose, shook the crumbs from her apron, and hung
above the fire a small black kettle.

Then she measured out equal parts of milk and vinegar and poured them into
the kettle. Next she



25
produced several packets of herbs and powders and began adding a portion of
each to the contents of the kettle. Occasionally she would draw near the
candle and read from a yellow paper the recipe of the mess she was
concocting.

As Tip watched her his uneasiness increased.

"What is that for?" he asked.

"For you," returned Mombi, briefly.

Tip wriggled around upon his stool and stared awhile at the kettle, which
was beginning to bubble. Then he would glance at the stern and wrinkled
features of the witch and wish he were any place but in that dim and smoky
kitchen, where even the shadows cast by the candle upon the wall were enough
to give one the horrors. So an hour passed away, during which the silence
was only broken by the bubbling of the pot and the hissing of the flames.

Finally, Tip spoke again.

"Have I got to drink that stuff?" he asked, nodding toward the pot.

"Yes," said Mombi.

"What'll it do to me?" asked Tip.

"If it's properly made," replied Mombi, "it will change or transform you
into a marble statue."

Tip groaned, and wiped the perspiration from his forehead with his sleeve.



26

"I don't want to be a marble statue!" he protested.

"That doesn't matter I want you to be one," said the old woman, looking at
him severely.

"What use'll I be then?" asked Tip. "There won't be any one to work for
you."

"I'll make the Pumpkinhead work for me," said Mombi.

Again Tip groaned.

"Why don't you change me into a goat, or a chicken?" he asked, anxiously.
"You can't do anything with a marble statue."

"Oh, yes, I can," returned Mombi. "I'm going to plant a flower garden, next
Spring, and I'll put you in the middle of it, for an ornament. I wonder I
haven't thought of that before; you've been a bother to me for years."

At this terrible speech Tip felt the beads of perspiration starting all
over his body. but he sat still and shivered and looked anxiously at the
kettle.

"Perhaps it won't work," he mutttered, in a voice that sounded weak and
discouraged.

"Oh, I think it will," answered Mombi, cheerfully. "I seldom make a
mistake."

Again there was a period of silence a silence so long and gloomy that when
Mombi finally lifted the kettle from the fire it was close to midnight.



27               Full page line-art drawing.

               "I DON'T WANT TO BE A MARBLE STATUE."



28

"You cannot drink it until it has become quite cold," announced the old
witch for in spite of the law she had acknowledged practising witchcraft.
"We must both go to bed now, and at daybreak I will call you and at once
complete your transformation into a marble statue."

With this she hobbled into her room, bearing the steaming kettle with her,
and Tip heard her close and lock the door.

The boy did not go to bed, as he had been commanded to do, but still sat
glaring at the embers of the dying fire.

               Line-Art Drawing



29               The Flight of the Fugitives


Tip reflected.

"It's a hard thing, to be a marble statue," he thought, rebelliously, "and
I'm not going to stand it. For years I've been a bother to her, she says; so
she's going to get rid of me. Well, there's an easier way than to become a
statue. No boy could have any fun forever standing in the middle of a flower
garden! I'll run away, that's what I'll do -- and I may as well go before
she makes me drink that nasty stuff in the kettle." He waited until the
snores of the old witch announced she was fast asleep, and then he arose
softly and went to the cupboard to find something to eat.



30

"No use starting on a journey without food," he decided, searching upon the
narrow shelves.

He found some crusts of bread; but he had to look into Mombi's basket to
find the cheese she had brought from the village. While turning over the
contents of the basket he came upon the pepper-box which contained the
"Powder of Life."

"I may as well take this with me," he thought, "or Mombi'll be using it to
make more mischief with." So he put the box in his pocket, together with the
bread and cheese.

Then he cautiously left the house and latched the door behind him. Outside
both moon and stars shone brightly, and the night seemed peaceful and
inviting after the close and ill-smelling kitchen.

"I'll be glad to get away," said Tip, softly; "for I never did like that old
woman. I wonder how I ever came to live with her."

He was walking slowly toward the road when a thought made him pause.

"I don't like to leave Jack Pumpkinhead to the tender mercies of old Mombi,"
he muttered. "And Jack belongs to me, for I made him even if the old witch
did bring him to life."

He retraced his steps to the cow-stable and opened the door of the stall
where the pumpkin-



31               Full page line-art drawing.

               "TIP LED HIM ALONG THE PATH."



32
headed man had been left.

Jack was standing in the middle of the stall, and by the moonlight Tip could
see he was smiling just as jovially as ever.

"Come on!" said the boy, beckoning."

"Where to?" asked Jack.

"You'll know as soon as I do," answered Tip, smiling sympathetically into
the pumpkin face.

"All we've got to do now is to tramp."

"Very well," returned Jack, and walked awkwardly out of the stable and into
the moonlight.

Tip turned toward the road and the man followed him. Jack walked with a sort
of limp, and occasionally one of the joints of his legs would turn backward,
instead of frontwise, almost causing him to tumble. But the Pumpkinhead was
quick to notice this, and began to take more pains to step carefully; so
that he met with few accidents.

Tip led him along the path without stopping an instant. They could not go
very fast, but they walked steadily; and by the time the moon sank away and
the sun peeped over the hills they had travelled so great a distance that
the boy had no reason to fear pursuit from the old witch. Moreover, he had
turned first into one path, and then into another, so that should anyone
follow them it



33
would prove very difficult to guess which way they had gone, or where to
seek them.

Fairly satisfied that he had escaped -- for a time, at least -- being turned
into a marble statue, the boy stopped his companion and seated himself upon
a rock by the roadside.

"Let's have some breakfast," he said.

Jack Pumpkinhead watched Tip curiously, but refused to join in the repast.
"I don't seem to be made the same way you are," he said.

"I know you are not," returned Tip; "for I made you."

"Oh! Did you?" asked Jack.

"Certainly. And put you together. And carved your eyes and nose and ears and

               Line-Art Drawing along the right side of the page



34
mouth," said Tip proudly. "And dressed you."

Jack looked at his body and limbs critically.

"It strikes me you made a very good job of it," he remarked.

"Just so-so," replied Tip, modestly; for he began to see certain defects in
the construction of his man. "If I'd known we were going to travel together
I might have been a little more particular."

"Why, then," said the Pumpkinhead, in a tone that expressed surprise, "you
must be my creator my parent my father!"

"Or your inventor," replied the boy with a laugh. "Yes, my son; I really
believe I am!"

"Then I owe you obedience," continued the man, "and you owe me -- support."

"That's it, exactly", declared Tip, jumping up. "So let us be off."

"Where are we going?" asked Jack, when they had resumed their journey.

"I'm not exactly sure," said the boy; "but I believe we are headed South,
and that will bring us, sooner or later, to the Emerald City."

"What city is that?" enquired the Pumpkinhead.

"Why, it's the center of the Land of Oz, and the biggest town in all the
country. I've never been there, myself, but I've heard all about its



35
history. It was built by a mighty and wonderful Wizard named Oz, and
everything there is of a green color -- just as everything in this Country
of the Gillikins is of a purple color."

"Is everything here purple?" asked Jack.

"Of course it is. Can't you see?" returned the boy.

"I believe I must be color-blind," said the Pumpkinhead, after staring about
him.

"Well, the grass is purple, and the trees are purple, and the houses and
fences are purple," explained Tip. "Even the mud in the roads is purple. But
in the Emerald City everything is green that is purple here. And in the
Country of the Munchkins, over at the East, everything is blue; and in the
South country of the Quadlings everything is red; and in the West country of
the Winkies, where the Tin Woodman rules, everything is yellow."

"Oh!" said Jack. Then, after a pause, he asked: "Did you say a Tin Woodman
rules the Winkies?"

"Yes; he was one of those who helped Dorothy to destroy the Wicked Witch of
the West, and the Winkies were so grateful that they invited him to become
their ruler, -- just as the people of the Emerald City invited the Scarecrow
to rule them."

"Dear me!" said Jack. "I'm getting confused with all this history. Who is
the Scarecrow?"



36

"Another friend of Dorothy's," replied Tip.

"And who is Dorothy?"

"She was a girl that came here from Kansas, a place in the big, outside
World. She got blown to the Land of Oz by a cyclone, and while she was here
the Scarecrow and the Tin Woodman accompanied her on her travels."

"And where is she now?" inquired the Pumpkinhead.

"Glinda the Good, who rules the Quadlings, sent her home again," said the
boy.

"Oh. And what became of the Scarecrow?"

"I told you. He rules the Emerald City," answered Tip.

"I thought you said it was ruled by a wonderful Wizard," objected Jack,
seeming more and more confused.

"Well, so I did. Now, pay attention, and I'll explain it," said Tip,
speaking slowly and looking the smiling Pumpkinhead squarely in the eye.
"Dorothy went to the Emerald City to ask the Wizard to send her back to
Kansas; and the Scarecrow and the Tin Woodman went with her. But the Wizard
couldn't send her back, because he wasn't so much of a Wizard as he might
have been. And then they got angry at the Wizard, and threat-



37
ened to expose him; so the Wizard made a big balloon and escaped in it, and
no one has ever seen him since."

"Now, that is very interesting history," said Jack, well pleased; "and I
understand it perfectly all but the explanation."

"I'm glad you do," responded Tip. "After the Wizard was gone, the people of
the Emerald City made His Majesty, the Scarecrow, their King; "and I have
heard that he became a very popular ruler."

"Are we going to see this queer King?" asked Jack, with interest.

"I think we may as well," replied the boy; "unless you have something better
to do."

"Oh, no, dear father," said the Pumpkinhead. "I am quite willing to go
wherever you please."

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38               Full page line-art drawing.



39               Tip Makes an Experiment in Magic


The boy, small and rather delicate in appearance seemed somewhat embarrassed
at being called "father" by the tall, awkward, pumpkinheaded man, but to
deny the relationship would involve another long and tedious explanation; so
he changed the subject by asking, abruptly:

"Are you tired?"

"Of course not!" replied the other. "But," he continued, after a pause, "it
is quite certain I shall  wear out my wooden joints if I keep on walking."

Tip reflected, as they journeyed on, that this was true. He began to regret
that he had not constructed the wooden limbs more carefully and
substantially. Yet how could he ever have guessed



40
that the man he had made merely to scare old Mombi with would be brought to
life by means of a magical powder contained in an old pepper-box?

So he ceased to reproach himself, and began to think how he might yet remedy
the deficiencies of Jack's weak joints.

While thus engaged they came to the edge of a wood, and the boy sat down to
rest upon an old sawhorse that some woodcutter had left there.

"Why don't you sit down?" he asked the Pumpkinhead.

"Won't it strain my joints?" inquired the other.

"Of course not. It'll rest them," declared the boy.

So Jack tried to sit down; but as soon as he bent his joints farther than
usual they gave way altogether, and he came clattering to the ground with
such a crash that Tip feared he was entirely ruined.

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41

He rushed to the man, lifted him to his feet, straightened his arms and
legs, and felt of his head to see if by chance it had become cracked. But
Jack seemed to be in pretty good shape, after all, and Tip said to him:

"I guess you'd better remain standing, hereafter. It seems the safest way."

"Very well, dear father." just as you say, replied the smiling Jack, who had
been in no wise confused by his tumble.

Tip sat down again. Presently the Pumpkinhead asked:

"What is that thing you are sitting on?"

"Oh, this is a horse," replied the boy, carelessly.

"What is a horse?" demanded Jack.

"A horse? Why, there are two kinds of horses," returned Tip, slightly
puzzled how to explain. "One kind of horse is alive, and has four legs and a
head and a tail. And people ride upon its back."

"I understand," said Jack, cheerfully "That's the kind of horse you are now
sitting on."

"No, it isn't," answered Tip, promptly.

"Why not? That one has four legs, and a head, and a tail." Tip looked at the
saw-horse more carefully, and found that the Pumpkinhead was right. The body



42
had been formed from a tree-trunk, and a branch had been left sticking up at
one end that looked very much like a tail. In the other end were two big
knots that resembled eyes, and a place had been chopped away that might
easily be mistaken for the horse's mouth. As for the legs, they were four
straight limbs cut from trees and stuck fast into the body, being spread
wide apart so that the saw-horse would stand firmly when a log was laid
across it to be sawed.

"This thing resembles a real horse more than I imagined," said Tip, trying
to explain. "But a real horse is alive, and trots and prances and eats oats,
while this is nothing more than a dead horse, made of wood, and used to saw
logs upon."

"If it were alive, wouldn't it trot, and prance, and eat oats?" inquired the
Pumpkinhead.

"It would trot and prance, perhaps; but it wouldn't eat oats," replied the
boy, laughing at the idea." And of course it can't ever be alive, because it
is made of wood."

"So am I," answered the man.

Tip looked at him in surprise.

"Why, so you are!" he exclaimed. "And the magic powder that brought you to
life is here in my pocket."



43               Full page line-art drawing.

               THE MAGICAL POWDER OF LIFE



44

He brought out the pepper box, and eyed it curiously.

"I wonder," said he, musingly, "if it would bring the saw-horse to life."

"If it would," returned Jack, calmly for nothing seemed to surprise him" I
could ride on its back, and that would save my joints from wearing out."

"I'll try it!" cried the boy, jumping up. "But I wonder if I can remember
the words old Mombi said, and the way she held her hands up."

He thought it over for a minute, and as he had watched carefully from the
hedge every motion of the old witch, and listened to her words, he believed
he could repeat exactly what she had said and done.

So he began by sprinkling some of the magic Powder of Life from the pepper-
box upon the body of the saw-horse. Then he lifted his left hand, with the
little finger pointing upward, and said: "Weaugh!"

"What does that mean, dear father?" asked Jack, curiously.

"I don't know," answered Tip. Then he lifted his right hand, with the thumb
pointing upward and said: "Teaugh!"

"What's that, dear father?" inquired Jack.



45

"It means you must keep quiet!" replied the boy, provoked at being
interrupted at so important a moment.

"How fast I am learning!" remarked the Pumpkinhead, with his eternal smile.

Tip now lifted both hands above his head, with all the fingers and thumbs
spread out, and cried in a loud voice: "Peaugh!"

Immediately the saw-horse moved, stretched its legs, yawned with its
chopped-out mouth, and shook a few grains of the powder off its back. The
rest of the powder seemed to have vanished into the body of the horse.

"Good!" called Jack, while the boy looked on in astonishment. "You are a
very clever sorcerer, dear father!"

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46               Full page line-art drawing.



47               The Awakening of the Saw-horse


The Saw-Horse, finding himself alive, seemed even more astonished than Tip.
He rolled his knotty eyes from side to side, taking a first wondering view
of the world in which he had now so important an existence. Then he tried to
look at himself; but he had, indeed, no neck to turn; so that in the
endeavor to see his body he kept circling around and around, without
catching even a glimpse of it. His legs were stiff and awkward, for there
were no knee-joints in them; so that presently he bumped against Jack
Pumpkinhead and sent that personage tumbling upon the moss that lined the
roadside.



48

Tip became alarmed at this accident, as well as at the persistence of the
Saw-Horse in prancing around in a circle; so he called out:

"Whoa! Whoa, there!"

The Saw-Horse paid no attention whatever to this command, and the next
instant brought one of his wooden legs down upon Tip's foot so forcibly that
the boy danced away in pain to a safer distance, from where he again yelled:

"Whoa! Whoa, I say!"

Jack had now managed to raise himself to a sitting position, and he looked
at the Saw-Horse with much interest.

"I don't believe the animal can hear you," he remarked.

"I shout loud enough, don't I?" answered Tip, angrily.

"Yes; but the horse has no ears," said the smiling Pumpkinhead.

"Sure enough!" exclaimed Tip, noting the fact for the first time. "How,
then, am I going to stop him?"

But at that instant the Saw-Horse stopped himself, having concluded it was
impossible to see his own body. He saw Tip, however, and came close to the
boy to observe him more fully.



49

It was really comical to see the creature walk; for it moved the legs on its
right side together, and those on its left side together, as a pacing horse
does; and that made its body rock sidewise, like a cradle.

Tip patted it upon the head, and said "Good boy! Good Boy!" in a coaxing
tone; and the Saw-Horse pranced away to examine with its bulging eyes the